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Filmgraben / Film Ditch, 2024
Graphite drawing on paper 148x103 cm


Oak frame, museum glass

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The Silver Lake II, 2024

Cameraless photography made only with developer and expired Orwo-paper

46x70cm

Silver gelatin print, ORWO-paper, museum glass, oak frame

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Discarded Graphite, 2024
Silver Gelatin print on expired ORWO paper (depicting the left over graphite from the drawing above in scale 1:1) 46x56cm
Museum glass, oak frame, passepartout

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Installation view
Behind the Silver Veil, Galleri ID:I, 2024, Together with Sara Linderoth

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The Silver Lake III & IV
Silver gelatin prints on expired Orwo paper
33x42cm

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Silbersee, video essay, 12.04 min, 2024
Screening in Filmfestival Oberhausen


 

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Silbersee, video essay, 12.04 min, 2024

Silbersee / The Silver Lake

A rumour of silver and toxicity haunts this investigation of a chemically contaminated East German reservoir nicknamed Silbersee (Silver Lake), near the Wolfen film factory. For years, photographic waste was discharged into the lake - so much so that one could develop photographs directly in its waters. In this project we use photography, video and graphite drawing. The interplay of these mediums raise  thoughts about the properties of photography, such as the moment a picture is taken in relation to the time it  takes to draw, the mechanical versus the handmade, the unpredictability of the aged photographic material in relation to conscious decisions in drawing, the precision in factory production versus the unpredictability and  consequences of emissions in the area.‍



Distributed by Filmform, The Swedish Art Film and Video archive, Excerpt

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