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Filmgraben / Film Ditch, 2024
Graphite drawing on paper 148x103 cm

Oak frame, museum glass

The Silver Lake II, 2024
Cameraless photography made only with developer and expired Orwo-paper
46x70cm
Silver gelatin print, ORWO-paper, museum glass, oak frame
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Discarded Graphite, 2024
Silver Gelatin print on expired ORWO paper (depicting the left over graphite from the drawing above in scale 1:1) 46x56cm
Museum glass, oak frame, passepartout


Installation view
Behind the Silver Veil, Galleri ID:I, 2024, Together with Sara Linderoth


The Silver Lake III & IV
Silver gelatin prints on expired Orwo paper
33x42cm

Silbersee, video essay, 12.04 min, 2024
Screening in Filmfestival Oberhausen




Silbersee, video essay, 12.04 min, 2024
Silbersee / The Silver Lake
A rumour of silver and toxicity haunts this investigation of a chemically contaminated East German reservoir nicknamed Silbersee (Silver Lake), near the Wolfen film factory. For years, photographic waste was discharged into the lake - so much so that one could develop photographs directly in its waters. In this project we use photography, video and graphite drawing. The interplay of these mediums raise thoughts about the properties of photography, such as the moment a picture is taken in relation to the time it takes to draw, the mechanical versus the handmade, the unpredictability of the aged photographic material in relation to conscious decisions in drawing, the precision in factory production versus the unpredictability and consequences of emissions in the area.
Distributed by Filmform, The Swedish Art Film and Video archive, Excerpt
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